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Josipovici's 'Everything Passes'

In a fleeting fit of energy midway through last year, I proposed to some fellow bloggers that a symposium, hosted here at RSB, on Gabriel Josipovici's superb novella Everything Passes would be a jolly good thing. Well, as I've discussed (in my recent Hamlet and Lear pieces) it quickly became obvious to me that, last year, I didn't have the energy to organise anything. So, I owe a sincere apology to those friends who wrote some wonderful pieces (which will soon see the light of day here on the site -- hopefully, next week) expecting the symposium to go ahead.


Happily, several bloggers have posted the would-be symposium pieces on their own sites. Richard Crary, Dan Visel, Steve Mitchelmore and now Waggish have all written pieces that expand upon the review Paul Griffiths wrote for me a couple of years back.


Please do read these excellent contributions, and then I'll have a few more up for you here on RSB next week.

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Tom McCarthy on Jean-Philippe Toussaint

Via Sponge! (the new name for our friend Lee Rourke's Scarecrow blog) I note that Tom McCarthy has been writing in the LRB about Jean-Philippe Toussaint:


For any serious French writer who has come of age during the last 30 years, one question imposes itself above all others: what do you do after the nouveau roman? Alain Robbe-Grillet, Claude Simon et compagnie redrew the map of what fiction might offer and aspire to, what its ground rules should be – so much so that some have found their legacy stifling. Michel Houellebecq’s response has been one of adolescent rejection, or, to use the type of psychological language that the nouveaux romanciers so splendidly shun, denial: writing in Artforum in 2008, he claimed never to have finished a Robbe-Grillet novel, since they ‘reminded me of soil cutting’. Other legatees, such as Jean Echenoz, Christian Oster and Olivier Rolin, have come up with more considered answers, ones that, at the very least, acknowledge an indebtedness – enough for their collective corpus to be occasionally tagged with the label ‘nouveau nouveau roman’. Foremost among this group, and bearing that quintessentially French distinction of being Belgian, is Jean-Philippe Toussaint (more...)

More on this over at 3:AM too.

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Notes on 'One Dimensional Woman'

Richard has been reading Nina Power's excellent and provocative (if far too short) essay One Dimensional Woman (a recent Book of the Week around here):


I like Power's focus on work and the changes to work. And I agree with much of what she says about today's "feel-good" feminism, and in particular with her point that we need to address how "'feminism' as a term has come to be used by those who would traditionally have been regarded as the enemies of feminism". For example, those who defended the invasion of Afghanistan in the interest of "women's rights", among other allegedly Western values; also, the spectacle of Sarah Palin is relevant here, embodying as she does many superficial characteristics of mainstream feminism, namely the obsession with placing women in positions of power (Power spends a section discussing Palin in detail. I admit I don't find her terribly interesting as a figure. I am more interested in the implications of the widespread misogynist attacks on her from liberals—the "enemy women" phenomenon.). With respect to the problem of powerful women, Power notes the Margaret Thatchers and Condoleeza Rices of the world and observes that, "It is not enough to have women in top positions of power, it depends upon what kind of women they are and what they're going to do when they get there." I would go further and say that even that's not enough. What matters is the nature of the power and the structure of the system. Any woman who manages to rise to a position of power in such a patriarchal system as we currently enjoy is bound to perpetuate that system (more...)
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Serendipoetry

This World is not Conclusion

This World is not Conclusion.
A Species stands beyond --
Invisible, as Music --
But positive, as Sound --
It beckons, and it baffles --
Philosophy -- don't know --
And through a Riddle, at the last --
Sagacity, must go --
To guess it, puzzles scholars --
To gain it, Men have borne
Contempt of Generations
And Crucifixion, shown --
Faith slips -- and laughs, and rallies --
Blushes, if any see --
Plucks at a twig of Evidence --
And asks a Vane, the way --
Much Gesture, from the Pulpit --
Strong Hallelujahs roll --
Narcotics cannot still the Tooth
That nibbles at the soul --

-- Emily Dickinson
The Complete Poems (Faber & Faber)

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castigate

To criticize or chastise severely. more …

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